Major 7th available tensions are: 9, #11 or 6 (usually replaces the 7th) You might be wondering, which tensions are the “right” tensions for a particular chord? Well, let’s go through the three basic chords: Major, minor and Dominant 7th chords. When looking at a lead sheet, especially in a low-light gig situation, I want the lead sheet to be as un-cluttered as possible. I think that many (not all) pianists would agree with me because as jazz players, we are accustomed to working from a “shell”.īasically, when I see D-7, I already know that the 9th and 11th are probably available to me. Personally, I’d rather see a chord written as D-7 than D-9 or D-9 (add 11). Jazz players know which available tensions each chord can utilize. I did not label the chord as D-9 because it is common for jazz players to automatically add tensions to the chords that they are playing. However, why didn’t I label this chord D-9? ![]() We can rule out F Maj7 because the root is a D. You might look at this chord and think F Maj7 or D-9. O.K., that’s pretty simple, right? Now take a look at example B. Example A is what a typical voicing of a D-7 chord might look like. Let’s begin with a basic seventh chord for D-7. This three-DVD set covers both basic seventh chords along with advanced quartal voicings, tensions, alterations, upper-structure triads, rootless voicings and more. If you are looking for an instructional course on creating full chords at the piano, I’d suggest the Piano Chords Vol 1.
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